On Thursday, the first photo of Johansson as Kusanagi was released - a reminder and confirmation that this project, which was first announced last year and is due for release in 2017, is going forward. Instead of excitement that Masamune Shirow's iconic manga will be brought to life, the conversation about the project has centered on the decision to use white actors to tell a Japanese story. But there's plenty of Johansson kicking and fighting and being fierce, and that's never a bad thing.Since the day Scarlett Johansson was cast as Motoko Kusanagi, the cyborg and lead character of Ghost in the Shell, the film has been criticized for its whitewashing and erasure of its Japanese roots. The twists are predictable, and the revelations obvious from the earliest of Major's interactions with Dr. For a moderately diverting entry in the genre of futuristic sci-fi action thrillers, Ghost in the Shell is surprisingly traditional. His warmth and occasional humor are much needed opposite Major's intensity.
as Euron Greyjoy in Game of Thrones) as Batou, Major's fellow Section 9 agent and the closest thing she has to a friend. The real standout is Danish actor Pilou Asbaek (best known in the U.S. The supporting actors are capable, although Michael Pitt's over-the-top villain is a love-him-or-hate-him proposition, much like Jared Leto's Joker. Visually, there's a lot to admire: memorable production design, the eerie precision of geisha bots, a Mad Max-meets- Blade Runner aesthetic. But audiences who are unfamiliar with the manga and unperturbed by the outcry will probably buy into the storyline.
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If the casting controversy is a dealbreaker, this isn't the movie for you. And Johansson does play the part - a sentient weapon who doesn't know whether she's real or just an expensive puppet on a string - well.
The uproar over the movie's perceived whitewashing of an established character isn't likely to abate because of that explanation, but the manga creator himself had no objections, saying the character's appearance doesn't matter because it's not her "original" self - one of the main themes of the story.
But because Johansson is obviously not Asian, the narrative must concoct a (fairly believable) story to explain the disconnect. The source material is a Japanese comic with an identifiably Japanese protagonist - Major Motoko Kusanagi, the MVP of Section 9, a cybercrime enforcement squad. This much-anticipated - and maligned - adaptation of the beloved cyberpunk manga is visually arresting and pulse-quickening, but it's an action film that focuses much more on style than substance. And, given that it's been criticized for the casting of a non-Asian actress ( Scarlett Johansson) in the role of a well-known Japanese character, it may also make audiences think about whether diverse characters should be more authentically represented in films. The movie poses several questions about humanity, purpose, and trust. prostitutes, and one scene in which Mira stares at and touches a human woman's face, since she no longer feels a "real" connection to her synthetic body. Sex is limited to longing looks, a shot of cyborg/A.I. Language isn't frequent, but you'll hear occasional use of "s-t," "ass," etc. Expect several intense martial-arts battles, close hand-to-hand combat, massive technological weapons, and shoot-outs that leave characters injured, dismembered, and/or dead. Like the anime version, the live-action movie features a high body count, though the violence is portrayed in a stylized, relatively blood-free way. Parents need to know that Ghost in the Shell is a martial-arts action film based on a popular Japanese manga franchise.
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